Quito, Jul 31 (Prensa Latina) Ecuadorian Minister of Government Henry Cucalón said on Monday that officials who appear with criminal gang leaders in videos about an alleged peace agreement with the Executive are under investigation.
WHYY
By Mechan 11: The Collector was installed in North Camden s Cramer Hill Neighborhood. The heart for the 15-foot-tall robot was designed by a Camden high school student and then fabricated by Tyler Fuqua Creations. (Emma Lee/WHYY)
The City of Camden spends more than $4 million a year cleaning up after illegal dumpers.
Some are so bold, they’ve carved out specific dumping grounds. There’s a place where mountains of old Christmas trees pile up. Other places have tons of kitchen and bathroom appliances or accumulate debris from housing construction and other garbage sources.
Camdenites have been fed up for a while. They see it as a combination of greed from the haulers that send their trash there and a form of urban insult.
Pear Theatre’s ‘Under Milk Wood’ closes Sunday
Mountain View’s Pear Theatre presents poet Dylan Thomas’ “Under Milk Wood” through Sunday online.
The play is an account of a spring day in the fictional Welsh village of Llareggub, focusing on the inhabitants’ dreams, desires, loves and regrets.
Sinjin Jones directs.
Commissioned by the BBC as a radio drama and later adapted for the stage, creator Thomas described his work as “a play for voices.”
Overseen by an omniscient narrator, the residents of the tiny fishing village spend an average day pining for lost loves, obsessing over past mistakes and future hopes, while working, drinking, gossiping, playing, singing and dreaming.
Pear’s ‘Under Milk Wood’ is under way Written by Los Altos Town Crier Report
Mountain View’s Pear Theatre presents poet Dylan Thomas’ “Under Milk Wood” through April 11 online.
The play is an account of a spring day in the fictional Welsh village of Llareggub, focusing on the inhabitants’ dreams, desires, loves and regrets.
Sinjin Jones directs.
Commissioned by the BBC as a radio drama and later adapted for the stage, creator Thomas described his work as “a play for voices.”
Overseen by an omniscient narrator, the residents of the tiny fishing village spend an average day pining for lost loves, obsessing over past mistakes and future hopes, while working, drinking, gossiping, playing, singing and dreaming.