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October 12, 2022
Gaslight Twin Cinema 102 E. Fifth St., Durango, 247-8133, www.allentheatresinc.com Amsterdam Three close friends find themselves at the center of one of the most secret plots in American history....
October 11, 2022
‘See How They Run' Review: A Stylish But Hollow Whodunit | Arts | The Harvard Crimson
October 10, 2022
See How They Run is a good old-fashioned murder mystery / whodunnit, but with a a delightfully meta twist, writes film critic Michael Walsh.
October 6, 2022
Our resident film buffs Tom Parry and Stefan Bradley take a peek at the feature-length whodunit starring Sam Rockwell and Saoirse Ronan.
October 6, 2022
It's Day 2 of WEMU's Fall Fundraiser. WEMU's David Fair and Michigan Theater Foundation executive director Russ Collins are here asking for your donations, as well as giving you an inside look at the new movies and special screenings on the way this weekend.
October 5, 2022
"See How They Run," the feature-length debut by director Tom George, with a slightly derivative screenplay by Mark Chappell. It’s no "Knives Out," but it’s head and shoulders above either of Kenneth Branagh’s unnecessary pair of 21st-century
October 5, 2022
Gaslight Twin Cinema 102 E. Fifth St., Durango, 247-8133, www.allentheatresinc.com Amsterdam Three close friends find themselves at the center of one of the most secret plots in American history....
October 4, 2022
"See How They Run," the feature-length debut by director Tom George, with a slightly derivative screenplay by Mark Chappell. It’s no "Knives Out," but it’s head and shoulders above either of Kenneth Branagh’s unnecessary pair of 21st-century
October 4, 2022
"See How They Run," the feature-length debut by director Tom George, with a slightly derivative screenplay by Mark Chappell. It’s no "Knives Out," but it’s head and shoulders above either of Kenneth Branagh’s unnecessary remakes.
October 4, 2022
"See How They Run," the feature-length debut by director Tom George, with a slightly derivative screenplay by Mark Chappell. It’s no "Knives Out," but it’s head and shoulders above either of Kenneth Branagh’s unnecessary remakes.