Two university professors from across opposite sides of the U.S. created the "Mexican American Art Since 1848" database to broaden traditionally English, Eurocentric search engines and make it easier to find and study Mexican American art, culture and history.
FEW FACES TO MEET the public spotlight in recent years have more to tell about the mental mechanisms of male shame, impunity, and self-absolution than that of the furry brown-and-white-spotted Spanish pointer staring out of Titian’s Diana and Callisto, 1556–59. This dog has been a bad dog, as he seems to know. (I say “he” since, according to the visual logic of gender organizing the suite of pictures of which Diana and Callisto forms one-sixth, Titian’s “big dog” simply can’t be a bitch.)1 Sometime previously, on a hunting trip that took an unexpected twist, this Spanish pointer turned against
In the name of accessibility, QR codes makes some info less accessible. Plus, LACMA's questionable turn for the music biz, as well as culture and COVID.