decorator�*s book, a bit like a pattern book which our decorators would have in the factory over there. each one tells a story of our unique historic patterns, where to cut them and where to place them, and it acts as a bit of a guide for them. we have been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles's great—great—grandfather. the pieces go through to 1937 to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii. we use a technique called tube lining. i everything's made by hand. each piece takes at least a week to make from start to finish. - it's an honour, every piece of moorcroft that i work i with and the people we work with, i it's an honour, but for the king, i i mean, that is an amazing. achievement and something i will remember for the rest
of a guide for them. we have been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go through to 1937 to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour, but for the king, i mean, that is an amazing achievement and something i will remember for the rest of my life. that was a report by liz cooper. now take a look at this — this is possibly the biggest
we are in middleport pottery. we are the last transfer printers in the world. and in 2010, one of his majesty the king's charities stepped in to preserve, regenerate this building, using millions of pounds of funds that were gathered, so the king really did save this pottery back then and it's so important to us, and that's why we are so grateful. for the coronation we are producing a book which is going to be a gift to give to the king himself. that book is a transferrers decorator's book, a bit like a pattern book that our decorators would have in the factory over there. each one tells a story of our unique historic patterns, where to cut them and where to place them, and it acts as a bit of a guide for them. we have been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go through to 1937
about ceramics, it marks those special occasions in history, so it's a great chance for us| to produce these beautiful pieces. we are in middleport pottery. we are the last transfer printers in the world. and in 2010, one of his majesty the king's charities stepped in to preserve, regenerate this building, using millions of pounds of funds that were gathered, so the king really did save this pottery back then and it's so important to us, and that's why we are so grateful. for the coronation we are producing a book which is going to be a gift to give to the king himself. that book is a transferrers decorator's book, a bit like a pattern book that our decorators would have in the factory over there. each one tells a story of our unique historic patterns, where to cut them and where to place them, and it acts as a bit of a guide for them. we have been making coronation
where to cut them and where to place them, and it acts as a bit of a guide for them. we have been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go through to 1937 to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make from start to finish. it's an honour, every piece of moorcroft that i work with and the people we work with, it's an honour, but for the king, i mean, that is an amazing achievement and something i will remember for the rest of my life. that was a report by liz cooper.
printers in the world. and in 2010, one of his majesty the king's charities stepped in to preserve, regenerate this building, using millions of pounds of funds that were gathered. so the king really did save this pottery back then and it was so important to us, and that's why we're so grateful. so, for the coronation, we are producing a book, which is going to be a gift to give to the king himself. that book is a transferrers decorator's book, so it's a bit like a pattern book which our decorators would have in the factory over there. each one tells a story of our unique historic patterns, where to cut them and where to place them, and it acts as a bit of a guide for them. we've been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go right through to 1937, to the coronation that never
in the factory over there. each one tells a story of our unique historic patterns, where to cut them and where to place them, and it acts as a bit of a guide for them. we've been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go right through to 1937, to the coronation that never was for king edward viii. and then, in more contemporary times, under the design stewardship of walter moorcroft, to 1953, with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make, from start to finish. it's an honour, every piece of moorcroft that i work with and with the people that we work with, it's an honour. but forthe king, i mean, that is an amazing achievement and something that i will remember
the king's charities stepped in to preserve, regenerate this building, using millions of pounds of funds that were gathered, so the king really did save this pottery back then and it was so important to us, and that's why we're so grateful. so, for the coronation, we are producing a book, which is going to be a gift to give to the king himself. that book is a transferrers decorator's book, so a bit like a pattern book that our decorators would have in the factory over there. each one tells a story of our unique historic patterns, and where to cut them and where to place them, and it acts as a bit of a guide for them. we've been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go right through to 1937, to the coronation that never was for king edward viii. and then, in more contemporary times, under the design stewardship
using millions of pounds of funds that were gathered, so the king really did save this pottery back then and it's so important to us, and that's why we are so grateful. for the coronation we are producing a book which is going to be a gift to give to the king himself. that book is a transferrers decorator's book, a bit like a pattern book that our decorators would have in the factory over there. each one tells a story of our unique historic patterns, where to cut them and where to place them, and it acts as a bit of a guide for them. we have been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go through to 1937 to the coronation that never was for king edward viii. and then in more contemporary times, under the design stewardship of walter moorcroft, to 1953 with the coronation of queen elizabeth ii.
we've been making coronation designs since 1902, with the very first piece dating back to king edward vii, king charles�*s great—great—grandfather. the pieces go right through to 1937, to the coronation that never was for king edward viii. and then, in more contemporary times, under the design stewardship of walter moorcroft, to 1953, with the coronation of queen elizabeth ii. we use a technique called tube lining. everything's made by hand. each piece takes at least a week to make, from start to finish. it's an honour, every piece of moorcroft that i work with and with the people that we work with, it's an honour. but forthe king, i mean, that is an amazing achievement and something that i will remember for the rest of my life, really. this cooper reporting. —— liz cooper reporting. plans to make it more difficult for children to illegally buy