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Penguins in the pond, kiwi in the back yard: how a city brought back its birds

Artforum International

“WHAT IS RARE is almost not there,” writes the poet Ahmet Güntan, whom the late Fulya Erdemci often turned to for friendship and inspiration. Fulya was indeed a rare thing herself: a radical and tender vessel for art, poetry, politics, beauty, solidarity, and justice who could trace her legacy back to the budding contemporary art scene of Istanbul in the 1990s. She was a pillar in the infrastructures she built for progressive arts and civic politics in Turkey, and she enriched the art world and the world itself with her radiant vision of the future and her devotion to working toward that vision.

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