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"God Made My Face: A Collective Portrait of James Baldwin" is a delicious assemblage of interviews, essays and works of art by talented and learned intellectuals and artists.

"God Made My Face: A Collective Portrait of James Baldwin" is a delicious assemblage of interviews, essays and works of art by talented and learned intellectuals and artists.

Our round-up of the latest art publications

A survey on performance in Native North American Contemporary Art and the first major US show of Brazilian artist Erika Verzutti are on view in New York’s Hudson Valley.

This book chronicles a purposely disorderly reinvention of Allan Kaprow’s 1962 performance through reflections, historical essays, documents, and photographic collages.

What roles did Asian Americans play in the development of modern art in the United States in the 20th century, and how did our notion of, and prejudice against, Asian American art materialize? A pioneering curator and art historian provides an excellent introduction to this still under-studied chapter in art history through her writings, as well as a poignant reflection on the confounding question of the relationship between identity and art.

In the lead up to Churchman’s first show of monotypes at Matthew Marks, I visited their studio in Tribeca. Surrounded by paintings in progress, notably a giant diagram of a black hole, we sat down for an interview.

Kate Green, Ph.D. recently joined a href= http://www.philbrook.org target= _blank Philbrook /a as Chief Curator & Nancy E. Meinig Curator of Moder

Dara Birnbaum: Journey, is a survey of Dara Birnbaum’s influential practice. This exhibition reviews the trajectory of Birnbaum’s penetrativ

For the past three decades, Los Angeles–based artist Liz Larner (US, b. 1960) has explored the material and social possibilities of sculpture in