The Driskell Center presents two Black female artists in their 90s, Faith Ringgold & Betye Saar, for a historic first-time exhibition devoted to printmaking.
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In the years after World War II, a series of global shifts, including African decolonization and the U.S. civil rights movement, led artists to explore a new politics of form, synthesizing and integrating different visual and cultural traditions. This spring, the Mildred Lane Kemper Art Museum at Washington University in St. Louis will present “African Modernism in America,” the first traveling survey to examine the diverse aesthetic strategies, and complex relationships, between African artists and American artists, scholars, patrons and cultural organizations.