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June 28, 2023
Try Traditional Cultural Foods That Are Passed From Generation To Generation.
April 27, 2023
Breaking News, Sports, Manitoba, Canada
April 27, 2023
Breaking News, Sports, Manitoba, Canada
October 29, 2022
Grammy-nominated pianist Simone Dinnerstein will be presented by Miller Theatre at Columbia University (2960 Broadway, at 116th Street) in two concerts on Thursday, November 17, 2022 and Thursday, December 8, 2022 as part of the Miller Theatre's 2022-2023 Bach Series, which was curated by Dinnerstein.
September 16, 2022
LONE JACK, Mo. – A Met-exhibited artwork by the influential German Secessionist painter Franz von Stuck (né Franz Stuck, 1863-1928) has been rediscovered after being out of public ...
April 29, 2022
The Diapason is pleased to announce that its second Gruenstein Award is presented to Colin MacKnight for his article, “Proportional relationships in Bach’s Die Kunst der Fuge and the intended duration of Contrapunctus XIV.” MacKnight’s work is featured in the May 2022 issue of The Diapason.
April 29, 2022
“The governing idea of the work . . . was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject.”1 So says Bach scholar Christoph Wolff of Johann Sebastian Bach’s Die Kunst der Fuge, BWV 1080. Comprising fourteen fugues and four canons, we have inherited the work in an incomplete state; soon after Bach introduces his own musical signature as Contrapunctus XIV’s third subject and combines it with two previous themes, the music abruptly stops.