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Dona Nelson stands inches from El Toreador (2023), a massive painting mounted in a steel stand several feet from the nearest wall. They’re looking closely at the surface. “This canvas is from China,” they tell me. “It’s whiter, it’s very soft.”
Cora was a relentless and ambitious maverick. She was constantly reinventing her work. She wouldn’t settle, wouldn’t stop exploring abstraction. The paintings always seemed to lead her.
Join @TheAldrich to celebrate the launch of the 192-page hardcover book 52 Artists: A Feminist Milestone on Nov. 19 #free but advance registration required =>