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It’s hard to know where Howie Lee begins and ends as a musician, but it’s also what makes him such a compulsive talent. A Beijing-based visual artist, producer, and composer who’s been at the forefront of Chinese club music for the last few years, he’s at his best when he’s a creator of worlds – sometimes clashing Eastern and Western culture together in a blaze of colour and violence, other times weaving beat-driven futurism around traditional Chinese folk sounds.
Earlier this year, his barracking track and video for ‘Double Kings’ corralled inspiration from the zombie kung fu of Jiangshi fiction, flickering apparitions and brutal, blood-gushing violence, but here, he’s about as far removed from the dancefloor as he’s ever been in the peaceful, meditative world of