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The venue is a stage built by Asolo Repertory Theatre out in front of the FSU Center for the Performing Arts, the home to both organizations, and a really pleasant spot to watch an hour’s worth of dance. The seats are well spaced out, and everyone wears a mask. The 6 p.m. start time means the sun slowly fades from the sky as the evening progresses.
On the sold-out weekend program, which runs through Monday, is a grab-bag of excerpts: the “Friends’ Dance” from “Coppélia”; a demonstration of male technique by Christopher Hird, head of the Trainee program; an ensemble from “Swan Lake”; another ensemble, from “Le Corsaire”; a male duet from a 2015 piece, “Choke,” by Dwight Roden, director of Complexions Contemporary Ballet. It concludes with a full performance of Graziano’s “Fiera de Castro.”
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New art installations at major museums and drive-in movies under the stars.
The DMA welcomes the works of Juan Gris, the unsung pioneer of cubism, for the first exhibition dedicated to him in the United States in 35 years. “Cubism in Color” highlights Gris’ attention to everyday life, showcasing his evolution as an artist through 40-plus paintings and collages. Born in Madrid in 1887, the artist is often overshadowed by better-known players like Pablo Picasso and Georges Braque, despite his revolutionary contributions to cubism in the early 20th century. Still, thanks to his radical technique, Gris’ works are known as some of cubism’s most innovative and distinctive pieces.