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Off the Radar: Feminism, race and gender in The Big City - Washington Square News

The conflict between the old and new is a recurring theme in most, if not all, of Bengali filmmaker Satyajit Ray’s films. Since the start of his filmography with the 1955 classic “Pather Panchali,” Ray had solely focused on crafting historical films set in the 18th and 19th centuries. He details the effects of British.

Special Review: The Big City (Mahanagar) – Satyajit Ray

Special Review: The Big City (Mahanagar) – Satyajit Ray
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