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Berkeley Rep presents Pulitzer Prize finalist 'Bulrusher'

While the show is a bit long, Berkeley Rep's "Bulrusher" is a fascinating, complicated piece which is both exceptionally well done and entertaining.

Review: 'Bulrusher' at Berkeley Rep wants to take you a magical world

Eisa Davis' fanciful 'Bulrusher' at Berkeley Rep transports viewers to a mystical land but the story doesn't always measure up to the setting.

7 terrific Bay Area things to do this weekend, Nov. 3-5

Got your weekend plans? We have some nifty ideas, from a new Meg Ryan comedy to mouthwatering pies and cookies.

7 incredible Bay Area things to do this weekend, Oct. 27-29

Got your weekend plans? We have some nifty ideas for everything from amazing concerts to fabulous foodie shows and spooky cocktails.

A mysterious story of Northern California comes to local stages in two different forms

See 'Christmas at Pemberley' at Alameda's Altarena Playhouse

This holiday-themed play "Miss Bennet" was written in 2016 as a sequel to Jane Austen's "Pride and Prejudice."

Michael Mayer-Helmed GALILEO World Premiere & More Set for Berkeley Repertory Theatre 2023/24 Season

Berkeley Repertory Theatre has announced the seven productions that will make up the company’s 2023/24 season. See full programming, and learn how to purchase tickets!

McCarter Theatre to produce 'Bulrusher' for 2022-23 season

Details Announced for AFROFEMONONOMY // WORK THE ROOTS Presented by Performance Space New York

Details Announced for AFROFEMONONOMY // WORK THE ROOTS Presented by Performance Space New York Programming features “Last night, I dreamt I danced in the image of God.”, The Essentialisn't: Gold Taste,by BWW News Desk Performance Space New York, with co-production partner New Georges has announced details surrounding AFROFEMONONOMY // WORK THE ROOTS, a group activation of Black femme theater artists in celebration of each other. Since March 2021, collaborators within AFROFEMONONOMY-including Lileana Blain-Cruz, Charlotte Brathwaite, Eisa Davis, Jackie Sibblies Drury, Deadria Harrington, Ayesha Jordan, Joie Lee, April Matthis, Jennifer Harrison Newman, Okwui Okpokwasili, Stacey Karen Robinson, and Kaneza Schaal-have been meeting in informal in-person and remote gatherings to explore Kathleen Collins' 1984 quartet of unproduced one-acts Begin the Beguine and Eisa Davis' musical performance work The Essentialisn't. Resonating throughout both works are questions of societal strains on Black women's physical and mental health as well as concomitant expectations of performance-questions the group engages through their own model of care and liberation. In a snapshot of this continuing, generative process, AFROFEMONONOMY will join in a global reverberation this spring of Kathleen Collins' texts in responsive visions-with performance, music, film, radio-across New York City and in Oakland, California, with works made in Norway and Senegal, and online.

AFROFEMONONOMY/Work The Roots Announces Inaugural Programming

Performance Space New York, with co-production partner New Georges, announces details surrounding AFROFEMONONOMY // WORK THE ROOTS, a group activation of Black femme theater artists in celebration of each other.