In this intriguing and idiosyncratic book, which aims to present ‘a new history of queer culture and identity over the past 125 years’, Diarmuid Hester recalls how he went to look at E.M. Forster’s former sitting room in King’s College, Cambridge. This once ‘intimate space’, filled with possessions accumulated over a long life, in which
A Portland theater company will stage the reimagining of the E.M. Forster novel “Howards End,” and the director couldn’t be more proud to be in charge of Matthew Lopez’s “The