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Understanding The Friction Inside
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9th Annual Slovak Heritage Day to celebrate tradition, history, and community at Saints Cyril and Methodius Catholic Church this Saturday
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Star Trek: The Kolinahr Ritual, Explained
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Since
Pandora’s Box (1992), his first fully-formed documentary series, Adam Curtis has been exploring the forces that shape society: science, finance, psychology, and more. He’s also using the vast BBC archive as a resource, digging through this Reithian residue, turning up rare and strange moments, and making increasingly bold aesthetic choices. Curtis’ documentaries don’t present themselves as neutral reportage; they are beautifully aestheticized essay films that put across a particular argument.
While the earlier works contained newly-shot footage and interviews conducted by Curtis, his newer films increasingly rely on archival fragments. Fragments, Curtis reasons, are the way people think these days. But in his latest film series,
A Conversation with Filmmaker Adam Curtis on Power, Technology and How Ideas Get Into People s Heads
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A still from the new Adam Curtis series Can t Get You Out of My Head Credit - BBC
The British filmmaker Adam Curtis may work for the BBC, a bastion of the British elite, but over a decades-long career, he has cemented himself as a cult favorite.
He is best known as the pioneer of a radical and unique style of filmmaking, combining reels of unseen archive footage, evocative music, and winding narratives to tell sweeping stories of 20th and 21st century history that challenge the conventional wisdom. “I’ve never thought of myself as a documentary maker,” he says. “I’m a journalist.”