Sara VanDerBeek with Toby Kamps
At the heart of Sara VanDerBeeks two-dimensional and installation-based work is a fascination with photographys power as a form of mediation—between past and present, original and reproduction, and perception and thought. Her latest exhibition Lace Interlace at The Approach in London draws on her research into the work of early British photographers Julia Margaret Cameron (1815–79) and Isabel Agnes Cowper (1826–1911) at that citys Victoria and Albert Museum.
Source: brooklynrail.org