Taharlev chooses figurative paintings, a technique that seems less related to modern art. But the vibrancy, the subjects, and the presence of the body as it is, devoid of the male gaze.
Entering Lucy Mackenzie’s exhibition at Nancy Hoffman, simply (and aptly) titled “Still, the viewer espies a channel of postcard-sized still lifes lining the gallery walls. If one is not familiar with Mackenzie’s work, they might be forgiven for mistaking her paintings for photographs.
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