with great attention to aesthetic considerations. it s also a community where the difference between housing ten years is impossible for any visitor to discern, homes for rent for those owner occupied vessel together in harmony and the result of this thoughtful planning is means the homes are worth more on the opening market than those in the county town of dorchester itself. the new here is more valuable than the old. people have fallen back in love with the future. that is very far from the future. that is very far from the case of many temporary new developments and extensions to existing settlements. an even bigger objection to a new development in the absence of beauty is the lack of new infrastructure to accompany new homes. existing communities which see new homes built too often too often not see the primary care and gp surgeries, schools, road improvements and other amenities that should follow. they experienced irrelevant as additional pressure on school places, lon
granted, we want to take it as a privilege. we granted, we want to take it as a rivileue. ~ . , ., ., ., privilege. we are very motivated to come here and privilege. we are very motivated to come here and play privilege. we are very motivated to come here and play this privilege. we are very motivated to | come here and play this competition that is come here and play this competition that is almost all of us has never work that is almost all of us has never work as that is almost all of us has never work as a that is almost all of us has never won. as a club, we have never won. and we won. as a club, we have never won. and we want won. as a club, we have never won. and we want to do it and to do that, we need and we want to do it and to do that, we need to and we want to do it and to do that, we need to when the first game and we need to when the first game and we are we need to when the first game and we are going to prepare to do that. well, awaiting th
boars that would come into the camp at night! and you d want to take your kid to pee, and, like, these huge wild boars would come in from the woods to like, roam the camps. and these are people who like, came from aleppo, like, their homes were destroyed, right? people had died, you know, and they made this treacherous crossing over the water like, they d risked their lives to get there. and then, they get there, and they re getting attacked by wild pigs. and somebody had set up a makeshift trap in the woods out of a dumpster that he d turned upside down in a rope, and like, you know, it wasjust like both very sad and very funny, and also, everybody was very excited. they would just show you on the phone like, look, i got a picture of and i go, this is the opening of the show. and i suppose, you know, it is quite a stylised style, it is quite produced while sounding obviously natural and chatty. i suppose that might not be to everyone s taste.
and i go, this is the opening of the show. and i suppose, you know, it is quite a stylised style, it is quite produced while sounding obviously natural and chatty. i suppose that might not be to everyone s taste. i don t know, it seems very popular. i have to say, like, another thing that we were doing consciously when we started the show was to sound different than the way presenters sounded on the radio here in the states, or in britain, or anywhere else. like, i remember when i was first hosting the show, i really tried to talk on the radio exactly the way i talk in real life. and so, i would have a script, but i would try to ad lib from the script, because, you know, i m talking to quotes, and so you really have to set up the quotes. and so, you really need to go on with a very firm idea of like, here s what i m going to say. but i would try to i would try to talk as much like myself in the kind of rushed. not radio voice, or the tv voice? yeah and that was actually a probl