If you think an album by two distinguished drummers Lol Tolhurst (formerly of The Cure) and Budgie (formerly of Siouxsie and the Banshees and The Creatures) would be a beat heavy sonic assault, you would be correct.
Sleater-Kinney need no introduction. As you know, they are synonymous with the riot grrrl movement and have been entertaining us with a terrific variety of post-punk with surging guitar riffs and a sassy attitude since their self-titled debut in 1995.
Given crux’s sophisticated and multi-dimensional vibe, it’s not unfathomable to believe it took 10 years to make (released 10 years and two days after 2013’s Interiors to be exact).
The Kills have been entertaining us with a terrific blend of roots-blues, post-punk rock ‘n’ roll with surging guitar riffs, and a sassy attitude since their debut in 2003. Laying down a couple of hits and five critically acclaimed studio albums along the way, their collective body of work has set the expectation bar high for God Games.