frasier: no,no. patrick gomez: in the 90s, we saw a lot of sitcoms really geared towards whole family viewing, and they shied away from the more political nature of the 1970s. frasier: every item here was carefully selected, this lamp by korboo. this chair by eames. diana: but because social class is a part of someone s identity, that everyone can relate to, it s one of the ways that sitcoms can reach the broadest audience. man: delivery for martin crane. martin: oh, in here! kelsey grammar: the idea of class structure in frasier was about a father that had been alienated from his sons because they were so unlike him. martin: where s the tv? niles: it s in that credenza. martin: point it at that thing. man: what about this chair? jane: and there was a great sort of social commentary on class poking fun at all that pomposity and social class structure. frasier: this from the gourmet who dumped my cornish yard cheese down the disposal. martin: it was covered with mold. frasier: it was su
u.s. bank. ranked #1 in customer satisfaction with retail banking in california by j.d. power. martin: we all know why i m here; your old man can t be left alone without falling on his ass, and frasier got stuck with me. isn t that right? frasier: no,no. patrick gomez: in the 90s, we saw a lot of sitcoms really geared towards whole family viewing, and they shied away from the more political nature
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