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I should be able to enjoy my characters before conveying them to the audience

interviewThe phrase ‘She came, she saw, and she conquered’ perfectly describes Hina Dilpazeer. She gained fame with her role as Saeeda in the 2008 telefilm ‘Burns Road Ki Neelofar’ and never looked back. Her performance as Momo in.

IN PRAISE OF OUR LITERARY GEMS

awardsArt and Literature give meaning to our lives and help us understand our world. It’s what we crave, it allows us to have a deeper understanding of our emotions, helps us to think outside the box and be open to new ideas. As for Pakistan,.

Mahira wasn t first choice for 7 Din Mohabbat In , says writer

Mahira wasn t first choice for 7 Din Mohabbat In , says writer
tribune.com.pk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tribune.com.pk Daily Mail and Mail on Sunday newspapers.

Chinto ki Mummy delights with surprise lead character

Chinto ki Mummy delights with surprise lead character
samaa.tv - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from samaa.tv Daily Mail and Mail on Sunday newspapers.

Disempowering narratives | Shehr | thenews com pk

April 4, 2021 Without going into the merits of the ratings game, one wonders why show runners distort the reality of the legal rights of women The recent manipulation of videos from the Aurat March has highlighted how truth can be distorted through technology. Media, both social and mainstream, can now be used to subvert any cause. Although we can push back against and identify the damage that social media does to the movement for the empowerment of women, the electronic media, particularly TV serials, play a far more sinister role in disempowering women. The TRPs (target rating points) are to blame for this. Meters, installed across Pakistan, calculate which dramas are watched the most and what time-slots receive the largest audience. Based on this data, the channels ostensibly decide the themes and stories that the audience can most relate to. They show miserable, pathetic and weak women, walking on eggshells, constantly in fear of losing their honour. Experienced producers have

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