mark, what cinema ready says. mark, what delights have you been sampling this week? 3 delights have you been sampling this week? , ~ delights have you been sampling this week? , . ., week? a very mixed bag. we have good luck to ou week? a very mixed bag. we have good luck to you starring week? a very mixed bag. we have good luck to you starring emma week? a very mixed bag. we have good luck to you starring emma thompson. i luck to you starring emma thompson. we have a new film everything went fine. and that year, the ultimate origin story apparently. goad fine. and that year, the ultimate origin story apparently. good luck to ou, origin story apparently. good luck to you. this origin story apparently. good luck to you, this had origin story apparently. good luck to you, this had a origin story apparently. good luck to you, this had a lot origin story apparently. good luck to you, this had a lot of origin story apparently. good luck to you, this had a lot of advanced|
delights have you been sampling this week? abs. delights have you been sampling this week? , ~ delights have you been sampling this week? , . ., week? a very mixed bag. we have good luck to ou week? a very mixed bag. we have good luck to you starring week? a very mixed bag. we have good luck to you starring emma week? a very mixed bag. we have good luck to you starring emma thompson. i luck to you starring emma thompson. we have a new film everything went fine. and that year, the ultimate origin story apparently. goad fine. and that year, the ultimate origin story apparently. good luck to ou, origin story apparently. good luck to you. this origin story apparently. good luck to you, this had origin story apparently. good luck to you, this had a origin story apparently. good luck to you, this had a lot origin story apparently. good luck to you, this had a lot of origin story apparently. good luck to you, this had a lot of advanced| to you, this had a lot of advanced pub
like, we are human. but i would say, largely, we just do whatever feels right, you know? and obviously, thejudge in finding in your favour said there was no conscious or unconscious influence on your work. but how are you going to assure that in the future? i mean, is it going to be you ve got to record your sessions when you re making music? i do that. since. what s mad, and this is actually. so, i started doing it from photograph, started filming every single session for my stuff. so, i would film every single session. as a record? ..for my album. yeah. because i d be like, i don t want to have this situation happen again. thing is, with shape of you is i d gone in to write for other artists. so i said to nick, who films all my sessions it was actually actually my cousin murray back then i just said, don t worry about coming in today, i m going to go and write for little mix or whoever, so don t worry about bringing the camera in. so now ijust film everything. everything s on fil
i just said, don t worry about coming in today, i m going to go and write for little mix or whoever, so don t worry about bringing the camera in. so now ijust film everything. everything s on film and we ve had sort of claims come through on songs and we go, well, here s the footage and you watch and you ll see that there s nothing there. but, johnny, where does this end? because if i m bringing a case, do i subpoena your streaming records, everything you ve listened to for the last five years. i mean, how does that work? that would be, i would imagine, impossible, you know, because whatever limitation you have, if somebody wants to get at you, then they ll say the gap in that limitation is the problem. so, if you don t get up in the morning and live like you re on the truman show, then there are going to be gaps in what you have. i think what we have to remember here is that we have a process and when we work together, that process is very hard to define. it s very hard to articulat
conscious or unconscious influence on your work. but how are you going to assure that in the future? i mean, is it going to be you ve got to record your sessions when you re making music? i do that. since. what s mad, and this is actually. so, i started doing it from photograph, started filming every single session for my stuff. so, i would film every single session. as a record? ..for my album. yeah. because i d be like, i don t want to have this situation happen again. thing is, with shape of you is i d gone in to write for other artists. so i said to nick, who films all my sessions it was actually actually my cousin murray back then i just said, don t worry about coming in today. i m going to go and write for little mix or whoever. so don t worry about bringing the camera in then. so now ijust film everything. everything s on film and we ve had sort of claims come through on songs and we go, well, here s the footage and you watch and you ll see that