a trait. in two thousand and thirteen for international artists exhibited their works at the pavilion to provide different perspectives on our increasingly complicated world with a focus on photography and film. and in two thousand and fifteen another four artist represented germany at the german to villian you haven t been. a brick we call the pavilion. that s one way of reacting to the building and reflects a theme touched upon by the art you know me from fits about how we work on a me the western neo liberal economic order and how it affects other parts of the world and evaded. today s most pressing issues have been addressed at the german padilla and among them the refugee crisis. and the flood of images in two thousand and fifteen there was a video installation that was like a video game but one that audiences were going to control this was a critique of the way we interact on several media. and off nicole i showcased his
great deal of diana a great deal of stress, a great deal of tears went under that bridge. and as much fun as some of these pictures might be to look at for people that miss diana and wonder about these things, you think the boys would be very unhappy about it. i think they would. i think they want to remember their mother with fond memories of the way she was, not as she is now because she s not here anymore. we have to get over that. of course we all talk about diana because i like to share my memoryies with diana of all those years because it s a privilege to do that, but not to do this and leave her alone. martha: you know, a couple of thoughts on this cover. i think that tina brown is trying to turn around newsweek magazine, for one thing, and she has said that she feels in the past, the magazine really fell off its mark by not having great photography that draws people on the cover, tina brown was well known for a focus on photography, so this is an interesting