Page 4 - Frampton Forgets News Today

Peter Frampton’s “phenomenal” new signature guitar based on his Gibson “Phenix” model available now By Matt Friedlander Courtesy of Gibson The recently announced Peter Frampton signature guitar — based on the famous black 1954 Gibson Les Paul Custom VOS model that he played on his classic Frampton Comes Alive! album and which is now known as the “Phenix” — is now available worldwide via Gibson.com. Frampton tells ABC Audio that he worked with the Gibson team to make ...

By Syndicated Content Courtesy of Gibson The recently announced Peter Frampton signature guitar — based on the famous black 1954 Gibson Les Paul Custom VOS model that he played on his classic Frampton Comes Alive! album and which is now known as the “Phenix” — is now available worldwide via Gibson.com. Frampton tells ABC Audio that he worked with the Gibson team to make sure that the new model was as close to his original “Phenix” as possible. Peter notes...

May 5, 2021 When Peter Framptons third marriage ended, he moved back to Nashville, which is where he lived before that third trip down the aisle landed him in Cincinnati. And having had his own studios before, he built another one there. Its named Studio Phenix, which is the nickname of his Gibson Les Paul, the one on the cover of Frampton Comes Alive. He calls it that because it was found 30 years after it was thought to have been lost in plane crash, so its like a Phoenix rising from the a...

Courtesy of GibsonThe recently announced Peter Frampton signature guitar -- based on the famous black 1954 Gibson Les Paul Custom VOS model that he pl...

By Syndicated Content Courtesy of Gibson The recently announced Peter Frampton signature guitar — based on the famous black 1954 Gibson Les Paul Custom VOS model that he played on his classic Frampton Comes Alive! album and which is now known as the “Phenix” — is now available worldwide via Gibson.com. Frampton tells ABC Audio that he worked with the Gibson team to make sure that the new model was as close to his original “Phenix” as possible. Peter notes...

By Syndicated Content Courtesy of Gibson The recently announced Peter Frampton signature guitar — based on the famous black 1954 Gibson Les Paul Custom VOS model that he played on his classic Frampton Comes Alive! album and which is now known as the “Phenix” — is now available worldwide via Gibson.com. Frampton tells ABC Audio that he worked with the Gibson team to make sure that the new model was as close to his original “Phenix” as possible. Peter notes...

By Dewayne Wells Apr 30, 2021 Peter Frampton continues to receive flak for showing a pic of himself getting vaccinated in the new video for his cover of  George Harrisons "Isnt it a Pity" from the new album,  Frampton recently posted one of the criticisms he received on his YouTube channel. The post says, "Such a horrible disappointment seeing a great musician like him becoming a sponsor for "[BLEEP]-cines" and Big Pharma! I truly hope Im wrong, but if he really injected that c--- into hi...

His breakthrough album and all-time blockbuster, 1976s  Frampton Comes Alive!, made him a household name, but he was hardly a new artist. Frampton had already spent a number of years playing in various bands, as well as releasing his own solo material, but the two-LP concert record proved to be on a whole other level. Its setting had everything to do with it, he says. “There is an enjoyment that runs throughout that album that I think is palpable,” he tells UCR. “And you can feel it ...

Roxy Music and Radiohead. Regarding the album’s tracks, Frampton tells ABC Audio, “Each one…is a tribute to the original artist, so I was nervous about attacking all of them, really, because…I wanted to make sure that it wasn’t just a Muzak copy of these incredible classic recordings.” Peter notes that some of the tunes he picked to cover held special significance to his life and career. For example, Frampton says he recorded Bowie’s “Loving the Alienâ�...

Roxy Music and Radiohead. Regarding the album’s tracks, Frampton tells ABC Audio, “Each one…is a tribute to the original artist, so I was nervous about attacking all of them, really, because…I wanted to make sure that it wasn’t just a Muzak copy of these incredible classic recordings.” Peter notes that some of the tunes he picked to cover held special significance to his life and career. For example, Frampton says he recorded Bowie’s “Loving the Alienâ�...