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Influence, authority and power: how elite women played a crucial role in the Italian Wars of the 16th century

Influence, Authority And Power: How Elite Women Played A Crucial Role In The Italian Wars Of The 16Th Century

This Italian Church Has a 500-Year-Old Crocodile Hanging from the Ceiling

The Santuario Della Beata Vergine Maria Delle Grazie, in Italy, is an old church famous for having a real taxidermied crocodile hanging from the ceiling.

Denman Island's Baroque Music Workshop & Festival April 30-May 6

For the fifth time, Arts Denman/Early Music will present a Baroque Music Workshop &Festival on Denman Island.

EQS-News: Ahead of its business plan, Andera Partners approaches 4 billion euros in assets under management and announces a new 2028 target of 6 to 8 billion euros

EQS-News: Andera Partners / Key word(s): Funds Ahead of its business plan, Andera Partners approaches 4 billion euros in assets under management and announces a new 2028 target of 6 to 8 billion euros 16.02.2023 / 09:00 CET/CEST The issuer is solely responsible for the content of this announceme...

Jo Walton's Reading List: January 2023

Jo Walton's Reading List: January 2023

In Focus: How 21st century artists are reviving the art of the fresco

Country Life Trending: April 2, 2021 Cara Campbell hand-painted the walls for Harrock Hall, Lancashire, by Miss Campbell, as well as making the mirror above the fireplace. Credit: Cara Campbell Once practised by Michelangelo, Raphael and da Vinci, the art of fresco creation has changed little in 1,000 years. Marsha O’Mahony meets the artists following in their footsteps. At the unveiling of the Sistine Chapel’s most famous fresco in 1508, Pope Julius II, who commissioned the work, was rendered speechless. More than 500 years later, Michelangelo’s cornerstone of the High Renaissance continues to inspire awe and wonder. Fresco artists of the 21st century are walking in the footsteps of such masters, creating the illusion of space and time through luminosity of colour and the telling of stories. It remains a potent, if not exclusive, force in art.