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Puppetry is an ancient form of artistic expression, and is one of the oldest forms of art-entertainment that still exists. We’ve loved it on stage seeing Avenue Q, War Horse or Little Shop of Horrors, but puppetry in performance goes far beyond that, and we can see performers pushing boundaries and creating bridges of empathy through puppetry at La Mama, Puppet Slams, Dixon Place, the Eugene O’Neill National Puppetry Conference and more. I first discovered puppetry through the O’Neill Theater Center and as a musical theatre performer and playwright, felt like I had found home. Puppetry became an ideal way to fuse multiple mediums to tell a universal story. A few years later, I couldn’t be more excited to celebrate World Puppetry Day, which comes every March 21. The idea came from the puppet theater artist Javad Zolfaghari from Iran. In 2000 at the XVIII Congress of the Union Internationale de la Marionnette, (UNIMA) in 2003 UNIMA, and has become a real tool for the promotion of puppetry arts and a project allowing to unite the puppet actors of the same territory.
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Amber Convery’s (2nd Year MFA Scenic Design Student, Class of 2022) process of designing Antioch, one of the six cities in Pericles, The Prince of Tyre. A teaser of the final sketch before color
STORRS, CT – Connecticut Repertory Theatre (CRT) continues its 2020-21 virtual season with PERICLES, PRINCE OF TYRE by William Shakespeare; I was able to enjoy the performance online on Friday evening from the comfort of my home.
The production was directed by Raphael Massie, an Artistic Associate at the renowned Oregon Shakespeare Festival, which was founded in 1935 and typically draws a total attendance over 360,000 to southern Oregon for a season of repertory performances. Mr. Massie's directing credits include work at Elm Shakespeare in New Haven, CT; at Shakespeare & Company in Lenox, MA; and at Southern Connecticut State University. He earned an MFA in Theatre Practice from the University of Exeter (UK), and both a BA/BS from Southern Connecticut State University. In a short pre show video, the director explained that he had re-imagined the play for the Zoom platform as a graphic novel come to life.
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