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© Ivan Muraenko Orekhov was able to achieve this by placing two full-length mirrors made of polished stainless steel into the two halves of the cube. The steel sheets made in the artist’s studio have no analogs in Russia, while the surface polishing was achieved with the highest level of processing. Nevertheless, the technique is applied against itself, against the course of historical time, against progress, as a means of overcoming history and returning to the beginning of nature. © Ivan Muraenko The idea behind the creation of this work derives from and continues the philosophy of the most notable cultural figures of the Avant-garde era of the early 20th century. The invasion of industrial production into the traditional way of living was perceived as the destruction of unity within nature, upon which the millennial cultural tradition was based upon. The emulation of nature has long lost its’ value, as the world has gradually grown unstable. At the same time, the advancem

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