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Hank Azaria: I helped create a dehumanizing stereotype with Apu

Hank Azaria, 59, opened up about voicing "The Simpsons" Apu as a white man on the latest episode of NPR's podcast "Code Switch." In the episode, he sat down with comedian Hari Kondabolu, who years earlier had sharply criticized Azaria for voicing the character.

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Jennifer Aniston & Adam Sandler's Murder Mystery 2 iterates Hollywood confusion over India's pluralism-Entertainment News , Firstpost

Hollywood’s wave of inclusivity ensures more of India in its screenplays but the industry needs to get culture and ethnicity tropes right

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ONTD original: actors who won awards for yellowface roles

I had the idea to do this ONTD original a while ago but I’m a procrastinator so I never got around to actually doing it. On Sunday when Ke Huy Quan became only the second Asian American to win a best supporting actor Oscar, I went to YouTube to find Haing S. Ngor s acceptance speech when he won for…

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The Party movie review & film summary (1968)

The Party movie review & film summary (1968)
rogerebert.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rogerebert.com Daily Mail and Mail on Sunday newspapers.

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Andy Griggs - This I Gotta See (11 tracks) +Album Reviews

Andy Griggs This I Gotta See Careful Where You Kiss Me Be Still Hillbilly Band Long Enough No Mississippi Like many young male vocalists, Griggs, who had the blessing of longtime hero Waylon Jennings, faces a time-tested conundrum. His marketable hunk image and radio-friendly voice seems in many ways at odds with his obvious p.   more »reference for the grittier musical approach that Music Row generally spurns. That dichotomy is writ large here. His vocal power surges on austere, direct material, like two numbers he co-wrote: the rocking novelty Hillbilly Band and sensual My Kind of Beautiful. He journeys through male vulnerability with She Thinks She Needs Me, a contrast with Be Careful Where You Kiss Me, the sort of clichéd onstage crowd-pleaser that falters on record. Producer Gary Scruggs often favors spare accompaniments. While he shows admirable restraint on Why Do I Still Love You and Gretchen Peters s If Heaven, sludgy overproduction hobbles No Mi

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