to set up as well. mouse traps are super sensitive. i think my favorite element of the machine is the little mario on the screen that jumps across. who doesn t like mario? they have hundreds of synchronized moving parts and every one has to work from beginning to end in sequence, without stopping. we decided not to edit the video and try to get it in one take, just because i think as a viewer you would want to see it in one take, and not have transitions or different camera angles. there s axes flying around. there s bottles being shot. so you definitely have to learn the timing and learn what s going to happen and i had to choreograph the movements with the camera so i had to learn almost like dance moves, in and out and twisting and turning. it s an amazing amount of work to put together a video like this. i have to imagine there were so many takes required to get this right.
complicated series of mouse traps and a very painful thing to set up as well. mouse traps are super sensitive. i think my favorite element of the machine is the little mario that jumps across the screen. who doesn t like mario? they have hundreds of synchronized moving parts and every one has to work from beginning to end in sequence, without stopping. we decided not to edit the video and try to get it in one take, just because i think as a viewer you would want to see it in one take, and not have transitions or different camera angles. there s axes flying around. there s bottles being shot. so you definitely have to learn the timing and learn what s going to happen and i had to choreograph the movements with the camera so i had to learn dance moves, in and out and twisting and turning. it s an amazing amount of work to put together a video like this. i have to imagine there were so
traps and a very painful thing to set up as well. mouse traps are super sensitive. i think my favorite element of the machine is the little mario that jumps across the screen. who doesn t like mario? they have hundreds of synchronized moving parts and every one has to work from beginning to end in sequence, without stopping. we decided not to edit the video and try to get it in one take, just because i think as a viewer you would want to see it in one take, and not have transitions or different camera angles. there s axes flying around. there s bottles being shot. so you definitely have to learn the timing and learn what s going to happen and i had to choreograph the movements with the camera so i had to learn dance moves, in and out and twisting and turning. it s an amazing amount of work to put together a video like this. i have to imagine there were so many takes required to get this right.
if it does, build the next element. and we had 133 elements. at first when i started, i was like, oh, this is fun, this is interesting. by the end of it, it was like pulling my hair out. i actually started to have nightmares about the machine. i think the photo booth might have been the most complicated element actually. it turned out to be a very complicated series of mouse traps and a very painful thing to set up as well. mouse traps are super sensitive. i think my favorite element of the machine is the little mario that jumps across the screen. who doesn t like mario? they have hundreds of synchronized moving parts and every one has to work from beginning to end in sequence, without stopping. we decided not to edit the video and try to get it in one take, just because i think as a viewer you would want to see it in one take, and not have transitions or different camera angles. there s axes flying around. there s bottles being shot. so you definitely have to learn the timin
it turned out to be a very complicated series of mouse traps and a very painful thing to set up as well. mouse traps are super sensitive. i think my favorite element of the machine is the little mario that jumps across the screen. who doesn t like mario? they have hundreds of synchronized moving parts and every one has to work from beginning to end in sequence, without stopping. we decided not to edit the video and try to get it in one take, just because i think as a viewer you would want to see it in one take, and not have transitions or different camera angles. there s axes flying around. there s bottles being shot. so you definitely have to learn the timing and learn what s