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History: Race and Photography

History, To Make Their Own Way in the World: The Enduring  Legacy of the Zealy Daguerreotypes.  This book is a profound consideration of some of the most challenging images in the history of photography: fifteen daguerreotypes—men and women of African descent who were enslaved in South Carolina. The conversation will feature four extraordinary scholars; I lisa Barbash, Deborah Willis, Sarah Elizabeth Lewis. This important conversation will delve into the daguerreotypes that were made by ph...
United States South Carolina Deborah Willis Louis Agassiz Josepht Zealy Ilisa Barbash
Source: gpb.org

Unlikely Harvest

A little over month ago, I found myself traveling to rural Anhui province. Coal+Ice, the documentary photography exhibition I had produced for Asia Society, had been invited to exhibit at the Yixian International Photography Festival. Logistically, this exhibit proved a daunting feat. Fifteen massive crates of photographs were driven all day from Beijing to Pingshan Village, where the power of ten men would carry each crate 500 meters down a rocky hill to the exhibition space, an ancestral hall...
New York United States Yilan County Yilan Xian Teng Hai South Korea

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How the camera confronted slavery — and still does

How the camera confronted slavery — and still does By Mark Feeney Globe Staff,Updated December 30, 2020, 2:02 p.m. Email to a Friend Carrie Mae Weems, "While Sitting Upon the Ruins of Your Remains, I Pondered the Course of History" (2016-17), from "To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes" (Aperture/Peabody Museum Press, 2020).Courtesy the artist and Jack Shainman Gallery, New York The course of history didn’t change in 1839, with the inventi...
The Ruins South Carolina United States Harvard University Baton Rouge Angelina Grimk

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