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The Paris Review - A Summer Dispatch from the Review s Poetry Editor

“On hot summer days, Richard Nixon would light a roaring blaze in the fireplace of his White House study, crank the air conditioning up to full blast, put on a little Mantovani, and gaze out the window at the Washington Monument.”

Wet Paint in the Wild: Artist Genevieve Goffman Art-Handles Her Own Work and Confronts a Three-Headed Death Hound

Guggenheim Finds Art in Poetry - The New York Times

The Manhattan museum’s first poet in residence plans to fill the space with “poem signs,” panels, interactive experiences and pop-up readings.

Imani Elizabeth Jackson

Imani Elizabeth Jackson is a poet from Chicago. Her writings appear in Triple Canopy, Apogee, The Arkansas International, BOMB, and elsewhere. She's authored the chapbook saltsitting (rereleased by g l o s s, 2020), Consider the Tongue (with S an D. Henry-Smith, 2019), and her first book, Flag, is forthcoming from Futurepoem. Imani is also a member of the Poetry Project’s

Imani Elizabeth Jackson

Triple Canopy, Apogee, The Arkansas International, BOMB, and elsewhere. She s authored the chapbook saltsitting (rereleased by g l o s s, 2020), Consider the Tongue (with S an D. Henry-Smith, 2019), and her first book, Flag, is forthcoming from Futurepoem. Imani is also a member of the Poetry Project’s 2019-2020 newsletter editorial collective and co-organizes the Chicago Art Book Fair. She lives in Providence now, where she s an MFA candidate at Brown. Contributions

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