Page 5 - Impossible Art News Today

Composer, conductor, pianist and MacArthur "genius" Aucoin adapted playwright Ruhl's work, which reinterprets an ancient, archetypal myth from the perspective of its namesake.

Composer, conductor, pianist and MacArthur "genius" Aucoin adapted playwright Ruhl's work, which reinterprets an ancient, archetypal myth from the perspective of its namesake.

In ‘Eurydice,’ Matthew Aucoin and Sarah Ruhl recast opera’s foundational myth

Composer, conductor and MacArthur "genius" Mathew Aucoin just debuted his opera, 'Eurydice,' at the Met. The new work reinterprets an ancient, archetypal myth from the perspective of its namesake.

Composer, conductor, pianist and MacArthur "genius" Aucoin adapted playwright Ruhl's work, which reinterprets an ancient, archetypal myth from the perspective of its namesake.

Composer, conductor and MacArthur "genius" Mathew Aucoin just debuted his opera, 'Eurydice,' at the Met. The new work reinterprets an ancient, archetypal myth from the perspective of its namesake.

Composer, conductor and MacArthur "genius" Mathew Aucoin just debuted his opera, 'Eurydice,' at the Met. The new work reinterprets an ancient, archetypal myth from the perspective of its namesake.

Composer, conductor and MacArthur "genius" Mathew Aucoin just debuted his opera, 'Eurydice,' at the Met. The new work reinterprets an ancient, archetypal myth from the perspective of its namesake.

Composer, conductor and MacArthur "genius" Mathew Aucoin just debuted his opera, 'Eurydice,' at the Met. The new work reinterprets an ancient, archetypal myth from the perspective of its namesake.

"The No Ones Rose," based on WWII survivors poetry, has world premiere Aug. 25-29 at Stanfords Bing Concert Hall, presented by American Modern Opera Company with the Philharmonia Baroque Orchestra and Stanford Live.