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sculptures honour various historical and culturalfigures. but how should society commemorate controversial people from the past? barbara chase—riboud, welcome to hardtalk. thank you. we're sitting here at a major exhibition of your work called infinite folds, and you started your artistic training at the age of seven. how on earth did you know at that early age that you wanted to become an artist? i didn't know i wanted to be an artist. it was my mother and my grandmother who decided that i was going to have something to do with the arts. they weren't quite sure what.
controversial people from the past? barbara chase—riboud, welcome to hardtalk. thank you. we're sitting here at a major exhibition of your work called infinite folds, and you started your artistic training at the age of seven. how on earth did you know at that early age that you wanted to become an artist? i didn't know i wanted to be an artist. it was my mother and my grandmother who decided that i was going to have something to do with the arts. they weren't quite sure what. you were 16 and you were the youngest person to ever have a work acquired by moma, the museum of modern art in new york.
but how should society commemorate controversial people from the past? thank you. we're sitting here at a major exhibition of your work called infinite folds, and you started your artistic training at the age of seven. how on earth did you know at that early age that you wanted to become an artist? i didn't know i wanted to be an artist. it was my mother and my grandmother who decided that i was going to have something to do with the arts. they weren't quite sure what. you were 16 and you were the youngest person to ever have a work acquired by moma,
by public memorials and her sculptures honour various historical and culturalfigures. but how should society commemorate controversial people from the past? barbara chase—riboud, welcome to hardtalk. thank you. we're sitting here at a major exhibition of your work called infinite folds, and you started your artistic training at the age of seven. how on earth did you know at that early age that you wanted to become an artist? i didn't know i wanted to be an artist. it was my mother and my grandmother who decided that i was going to have something to do with the arts. they weren't quite sure what. you were 16 and you were
barbara chase—riboud, welcome to hardtalk. thank you. we're sitting here at a major exhibition of your work called infinite folds, and you started your artistic training at the age of seven. how on earth did you know at that early age that you wanted to become an artist? i didn't know i wanted to be an artist. it was my mother and my grandmother who decided that i was going to have something to do with the arts. they weren't quite sure what. you were 16 and you were the youngest person to ever have a work acquired by moma, the museum of modern art in new york. it was reba, which was a woodcut print of a young girl with a plant next to her.
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The artist danced with James Baldwin, was helped by Jacqueline Kennedy Onassis and sculpted Malcolm X. Now she’s received the only honour she ever wanted