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Blurring the Lines Ming Smith: An Aperture Monograph, offers a comprehensive survey of a pioneering body of work. Born in Detroit but based in New York since the early 1970s, Ming Smith was the first female African-American photographer to have her work acquired by New York’s Museum of Modern Art. She has mastered a blurry, impressionistic style emulating the mixture of spontaneity and detail in the jazz music she often evokes with her images. Raised in Columbus, Ohio, Ming Smith’s childhood unfolded in a setting very different to the Manhattan and Brooklyn streets that she made her own (this book contains a striking image of Smith as a child, on her first visit to New York in 1959, looking out of a window with innocent fascination). Shortly after settling in the city she became, in 1973, the first woman member of the Kamoinge Workshop, a collective of black photographers, which, as Yxta Maya Murray notes in one of several accompanying essays, “gathered at each other

New yorkUnited statesFrance generalConey islandCoted ivoireIvory coastGreg tateM neelika jayawardaneMing smithArthur jafaAmiri barakaGreg thomasPharoah sandersRobert farris thompsonDavid murrayYxta maya murray