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Transcultura Programme launches a unique opportunity for Caribbean musicians and music professionals

Transcultura Programme launches a unique opportunity for Caribbean musicians and music professionals
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UNESCO convenes meeting of women entrepreneurs in the cultural and creative industries of Cuba and the Dominican Republic

What challenges have women entrepreneurs in the cultural and creative industries faced in times of pandemic? What windows of opportunities are open for them in this new scenario? What can we learn from their resilience strategies?These and other issu

Transcultura: vocation to build bridges through culture

Date Time Transcultura: vocation to build bridges through culture Having completed its inception phase in October 2020, the Transcultura Programme: Integrating Cuba, the Caribbean and the European Union through Culture and Creativity set its ingenious machinery in motion to promote opportunities and strengthen capacities among Caribbean youths. © EDDOS Cuba will play a key role in this process since the heart of the Regional Cultural Training Hub will be located in the capital, a space that brings together the University of the Arts (ISA), the International Film and Television School (EICTV) of San Antonio de los Baños, the Higher Institute of Design (ISDi), the Gaspar Melchor de Jovellanos Workshop School, the San Gerónimo College and the Santa Clara College, along with other institutions of the Caribbean region.

UNESCO - United Nations Educational,[ ] (via Public) / Awilda Polanco: Promoting the presence of Afro descendant in the cultural industries of Latin America and the Caribbean

01/26/2021 | Press release | Distributed by Public on 01/26/2021 16:52 Awilda Polanco: Promoting the presence of Afro descendant in the cultural industries of Latin America and the Caribbean ©Courtesy of Awilda Polanco Awilda Blanco is a young independent performer, teacher and choreographer of Contemporary Dance from the Dominican Republic. For more than 15 years her works have maintained a critical view of colonial and discriminatory narratives, as evidenced by the pieces in her SMOG series, where she reflects on raciality from her condition as a black and Caribbean woman. Aside from her work as an independent artist, Awilda directs the unit that fosters and develops the university outreach of the Technological Institute of Santo Domingo (INTEC), where she has done a remarkable job at the head of its Dance Group for 20 years.

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