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The Kashmir Files Row: 3 IFFI jurors back Nadav Lapid; only Indian juror Sudipto Sen condemns

Sudipto Sen, the lone Indian in the jury board of the just-concluded International Film Festival of India, Saturday maintained that the remarks made by Israeli filmmaker Nadav Lapid about "The Kashmir Files" were his personal opinion even as three other co-jurors came out in support of the jury head.

Israeli envoy slams Nadav Lapid for criticising 'The Kashmir Files' at IFFI, says no justification for such statements

Gilon's remarks, in an open letter to Lapid, came after the jury head of the 53rd International Film Festival of India (IFFI) described 'The Kashmir Files' as "propaganda" and "vulgar"

"Der Mann, der zweimal starb" - Dokumentation - Dokumentarfilm, BR Fernsehen, 15.09.2022, 01:25 Uhr - Sendung im TV-Programm - TV & Radio

Im Zuge einer Erbschaftsangelegenheit findet der israelische Regisseur Yair Lev heraus, dass die Identität seines verstorbenen Großvaters nach dem Krieg anscheinend von einem Nazi gestohlen wurde, der später sogar Vorsitzender der Israelitischen Kultusgemeinde in Inn...

"Scenes From A Marriage": Vom (Un-)Glück der Liebe

Jüdisches Filmfestival Berlin Brandenburg: Küsse auf der Trauerfeier - Kultur

Filmfestival Cannes: Wut ist ein männliches Attribut - Kultur

Israeli Filmmaker banned from Durban Film Fest

OPEN LETTER TO ISMAIL MAHOMED AND THE DURBAN INTERNATIONAL FILM FESTIVAL: My name is Samuel Hyde, I have worked both in the theatre industry and currently work as an engineer/producer in the music business. I studied the Holocaust and Anti-Semitism at a high academic level through the Cape Town Holocaust & Genocide Centre where I spent 2 years volunteering and working. As a Jewish and Israel rights activist I work daily with Palestinians on the ground at erasing false narratives, ending the zero-sum game and bringing unity between our two communities. My commitment to activism and social justice extends beyond my own community – I have worked in close collaboration with the Umubano Foundation to educate on the Rwandan Genocide and produced a theatre production that used genocide as it’s backdrop to address rape being used as a weapon of war.

Liebe war es nie: Filmdokument einer verbotenen Beziehung im KZ

Vom Wohnzimmer zum Open Air | Jüdische Allgemeine

"Kiss me Kosher": Wenn die Identitäten nur so clashen