Japanese writer Yukio Mishima has long been a favorite of the international press. In a 1966 edition of Life magazine, he was called “Japan’s Dynamo of Letters” and “the Japanese Hemingway.” Appearing on the cover of The New York Times Magazine in August 1970, he was dubbed “Japan’s Renaissance Man.”
The prolific writer was also an occasional film actor and director, singer, bodybuilder and avid martial arts practitioner, and The New York Times cover depicted him dressed in a white kendo jacket and hakama, wielding a katana sword.
Less than four months later, he was dead.
He had committed ritual
Like a Rorschach test, the incident offers limitless interpretations. But newly published photographs of Yukio Mishima in his final weeks alive show an artist obsessed with scripting out death.