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February 10, 2022
10/02/2022 - Jacques Doillon’s feature film is an intimate and sensitive social drama exploring the theme of childhood
February 10, 2022
10/02/2022 - Jacques Doillon’s feature film is an intimate and sensitive social drama exploring the theme of childhood
February 10, 2022
10/02/2022 - Jacques Doillon’s feature film is an intimate and sensitive social drama exploring the theme of childhood
February 8, 2022
Hiroshima mon amour (1959), Alain Resnais’s first feature-length film, followed a number of remarkable short documentaries, the most famous of which was Nuit et brouillard (Night and Fog) (1956), a haunting evocation of Nazi terror, and still a reference for the way in which the unspeakable can be powerfully expressed.
January 28, 2022
After years of scamming the poor and the government, Johnson Eustache is in prison
January 25, 2022
As part of a plan to distribute value-added live content to cinemas around the country as a whole, south of France-based VEO Cinémas has selected media and cont...
October 9, 2021
An event like the Festival Lumière, with its wide remit that sees classic films and...
October 7, 2021
A dispatch on three films from the New York Film Festival, including the debut of Panah Panahi.
July 25, 2021
Jean-Pierre Leaud in The 400 Blows and The Death of Louis the XIV A double bill of sorts on Jean-Pierre Leaud on Mubi is just the excuse we need to re-examine the career of the legendary French actor. The streaming platform is showing Leaud’s breakthrough The 400 Blows as well as his most recent movie, The Death of Louis the XIV. Also on Mubi is another rarely screened title, The Rise and Fall of A Small Film Company. From the youthful exuberance of his earlier performances to the ...
July 18, 2021
(The article continues below - Commercial information) Where Haneke had two high-end French thesps (Emmanuelle Riva and Jean-Louis Trintignant) to enact his passion play, Noé’s casting choices give a greater sense of naturalism and the quotidian. The suffering couple, whose actual names aren’t specified, are Dario Argento, the Giallo master little known for his on-screen acting; and Françoise Lebrun, famously a non-professional when she was cast in her lover Jean Eustache’s The Mothe...