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How Sofia Coppola Uses Color in The Virgin Suicides We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together.
In our
Color Code series, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his sixth entry, he digs into Sofia Coppola’s The Virgin Suicides.
Cecilia – 13, the youngest of the five Lisbon sisters and the first to go – was always the least concerned with maintaining the artifice of the girls’ picturesque 1970s suburban life. She had a preternatural sense for the rot beneath the surface. Post-mortem in the image above, she lays across the tree like she’s one with it, a piece of the Earth now, verdant green moss emanating from the dark wood around her. Life springs forth from death. She wears the same unimpressed look she wore the night she ask
Collins Modern Classics gives some much-loved books a new look
Titles including Chimamanda Ngozi Adichie’s Americanah and Naomi Klein’s No Logo are included in the series, which promises to bring together some of the most significant books of recent times 28/04/2021 7:26 am
These new editions bring a fresh set of covers to well-known titles, wrapping them in clashing two-colour palettes and featuring graphics inspired by the contents of each title.
Jo Thompson, deputy art director at 4th Estate and William Collins, says the art department was briefed to create jackets that would look nothing like other classic book editions, but still be timeless enough to stand apart from current trends.