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Pirates! review – buccaneering adventure and fizzing family fun

Though often more associated with abstract contemporary dance, Scottish Dance Theatre prove more than adept at bringing tales of daring on the high seas to a younger audience

The bikini line is still a no-no : why does dance have a problem with body hair? | Dance

Chests must be de-fuzzed, armpits shaved, legs waxed. But as dance becomes more diverse, should it stop policing what grows naturally? Top performers speak out about their body hair

Political Mother: The Final Cut; The Life and Times review – Shechter and Clevillé on film

It would be hard to match online the thrill of Hofesh Shechter’s Political Mother in a theatre. This seminal work arrived with the force of a punch, the visceral pulse of its drum-beat hitting your chest and ears, the bright lights and surging dance blinding you in a frenzy of movement. It was a work that matched its huge theme – about indoctrination and totalitarianism, about the fine lines between joy and agony – with a blast of pure energy that sent you out into the night dancing and shaken, caught between hope and despair. Shechter had planned to revisit the piece in 2020 with a group of specially recruited young dancers to mark the 10th anniversary of its creation. When Covid-19 struck and performances were cancelled, he turned their talents into something else, a response to the original filmed in Battersea Arts Centre. It will be available to stream next Friday to Sunday on the BAC website (pay what you can).

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