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The Tucson Museum of Art celebrates 100th anniversary

TUCSON, Ariz. (KVOA) — Art has changed drastically over the last one hundred years and the Tucson museum of art has been there to keep record of it all.

TMA Honors Two Philanthropic Families

The Tucson Museum of Art is honored to commemorate Alice and Paul Baker and Beth and Michael Kasser as the 2023 TMA Lifetime Achievement Award recipients.

Tucson Weekly: Small World (July 1 - July 7, 1999)

Tucson Weekly: Small World (July 1 - July 7, 1999)
tucsonweekly.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tucsonweekly.com Daily Mail and Mail on Sunday newspapers.

Tucson Weekly: Rare Specimen (February 11 - February 17, 1999)

The UA Museum Of Art Housed A Real Treasure: Director Peter Bermingham. By Margaret Regan FOUR OR FIVE summers ago, Peter Bermingham the artist surfaced in Davis Dominguez Gallery s Small Works Invitational. The director of the University of Arizona Museum of Art, he had contributed a deadpan fantasy of a museum in chaos. Calling the work Untitled (After Theodore Géricault s Raft of the Medusa 1818-1819), Bermingham painted a torrent of water spewing out of the Géricault on a museum wall. There was a dangerous, flooded moat right below the painting, but a soaked survivor was pulling himself up to the solid ground

Tucson Weekly: Arts Round-Up (December 31 - January 7, 1998)

The Best And Worst Of The Local Arts Scene In 1997. By Margaret Regan ONE OF THE best moments in the whole art year took place in its earliest weeks. Liz Lerman s Dance Exchange had come to town in January, and worked intensively with local groups to incorporate them into a professional performance at Centennial Hall. After weeks of rehearsals, old Mexican-American women from El Rio Neighborhood Center, Jewish mothers and children from the Hebrew Academy, gay activists and even Ken Foster, head of UApresents, joined Lerman s troupe onstage for Still Crossing, a dance about immigration and nationhood. It was a performance at once solemn and joyful. Its best moment,

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