Nigel nelson, j carry it out. nigel nelson,j phillips. carry it out. nigel nelson,j phillips, thank carry it out. nigel nelson,j phillips, thank you - carry it out. nigel nelson,j phillips, thank you so - carry it out. nigel nelson, jl phillips, thank you so much, carry it out. nigel nelson, 1 i phillips, thank you so much, i carry it out. nigel nelson, 1 - phillips, thank you so much, i am so sorry about the interruptions, we didn t have enough time this time around. thank you to post and thank you forjoining us, do stay with us because lewis vaughanjones will be with you at that top of the hour. to get you there, here is that film review. hello, and welcome to the film review with me, mark kermode rounding up the best new movies available for viewing in cinemas and in the home. tuesday, january ist, 1856.
And i don t appreciate his manner. senor? we don t need this. 0h. he s gotta bejoking. oh, gosh! ok, no need, senor, no need. i am an american citizen, senor, please! at the other end of the spectrum in terms of mood, heft, and, well, pretty much everything, actually, is off the rails a daft bill kenwright produced romp boasting a cheesy script, a star studded cast, and a jukebox soundtrack of clumsily slapped on blondie hits. jenny seagrove, sally phillips, and kelly preston in herfinalfilm role are the threesome reliving a youthful dream to see the lights in parma cathedral. joining them is elizabeth dormer phillips maddie, daughter of the recently deceased anna, whose dying wish was for them all to make this last minute pilgrimage. broad strokes interrailing japes ensue, as the group pinball across france,