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Joe Fig: Contemplating Compositions

Why appropriation? Joe Fig extends his exploration of the practice into and out of the realm of novelty. Here, he delves into the experience of the landscape of an artwork—its dimensions, positions, neighbors, and responses to light and to us, its inhabitants.

New-york
United-states
Viewcristin-tierney
Mike-bidlo
Alex-katz
Joan-mitchell
Elaine-sturtevant
Peter-saul
Rafael-lozano-hemmer
Cristin-tierney
Wangechi-mutu
Richard-diebenkorn

Great East Enders: Einstein, Steinbeck, Roosevelt, Pollock

Great East Enders: Einstein, Steinbeck, Roosevelt, Pollock
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United-states
Japan
Spain
Americans
America
Japanese
Albert-einstein
William-mckinley
Pacific-ocean
Jackson-pollock
Teddy-roosevelt
Dan-rattiner

Painter and sculptor Joe Fig on the importance of seeing

On the morning of his exhibition opening, artist Joe Fig told me that “Seeing is like a superpower.” Fig and I sat in the middle of the light and airy main gallery space and discussed his many paintings. His works depict a diverse range of attendees studying popular artworks displayed in different g

New-york
United-states
Whitney-museum-of-american-art
Frank-lloyd-wright
Andy-warhol
Alex-katz
Guggenheim-museum
Art-institute-of-chicago
Museum-gateway-for-students
Joe-fig
Contemplating-composition
New-yorkers

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