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Review: The Magic Flute Directs Its Whimsy Toward the Younger Set

Julie Taymor’s version of Mozart’s opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Met’s condensed version for families.

Le Comte Ory review: Rossini comic opera soars at Lyric

The next to last of Rossini’s 39 operas, the piece has long been overshadowed by the composer’s better-known masterpieces like “The Barber of Seville.”

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