yes. having to go up afterwards. he was overshadowed by this, but will smith jumping up, hugging him, pretending like nothing happened, his wife sitting, latching. they re sitting laughing at jokes like an assault had just not taken place, and then they re talking about what a great night it was. i m telling you, man, surreal. it was surreal. i m just wondering why hollywood seems to be i mean chris rock was such a pro. he had so much class. it was it is still bizarre the way they re treating this. well, they did worse than do nothing. hollywood gave him a standing ovation. thank you. about 20 minutes after that happened on stage as if, as you say, nothing happened. he walked up to the stage and they gave him a standing ovation. i m glad he finally apologized to chris rock. he issued the apology which he should have given during that speech. he kind of gave i don t know if you could call it an apology, attempted to, but it was
why harris is jumping up, voters see her as the electable choice. that s who could take on donald trump. we have potential black voters and their choice for a nominee. there you go. here we go. i think this is rather take a look here, back in april and may, joe biden, 49% among african-americans, there s a real question, given that we have two african-american senators running. what do we see? we see now look at harris, a jump from 6% to 24%. in other words, by 4, by a multiple of four, she jumped up. one of the things i ll point out, this to me, harris is starting to look like obama, remember back in 2008 where clinton was leading among african-american voters. this to me, this polling reminds me a lot of that joe biden better watch out.
tucker: because i don t find any of this hilarious. tucker: it s hilarious because you and elizabeth warren, jumping up, he s got blood on his hands, it happens every day and you don t care because it s happening to americans. i care. i ve been telling you this whole segment. tucker: i don t think you have been reading much a human cry about this when tax debaters go to jail and leave their small kids atom home. that s fine. that s the price you pay when you commit a crime. what is the answer? if you have a small child at home and you commit a crime, we don t incarcerate you? isou very simple solution that m missing because i am dreaming up fear or evil?r what is a solution? there is not a simple solution, tucker. tucker: oh, then why are you pretending there is? you and elizabeth warren? i never said there was a simple solution to this problem. because this is certainly not a cut and dry problem. what weis could do in this country s have a different system for how
same republicans to rushed to condemn the president. and the commander who must be respected and adored at all times. here now is the author of the future is history. thank you so much. always good to have you. let s talk about the state of the union. this great split screen our producers put together the way paul ryan was reacting to the way ryan stood there stone faced and this jumping up and clapping in the state of the union. was that just partisanship or something else. it really immediately put me in mind of simple committee meetings that would go on for 48 hours and there was this inflation of applause, if they stood up to plod once, they had to stand up longer the next time. right. and would you read the papers the next day. most of the paper was taken up in applause transitioning to
cindy running into the middle of the street and jumping up, then did a pass with the car parked on the hit spot and cindy out there rolling on the hood in different positions. kyle then sends these layers to visual effects artist zane rutledge to work his magic. well, it s three shots stitched together in a couple of subtle and kind of clever ways. the original handheld shot up to a moment, and then the final handheld shot at the end. but in between, we re seaming that together with a cheated handheld simulated in the computer. to create that shot, zane uses a process called rotoscoping. it s this painstaking tracing, frame by frame, rachel throughout her roll off the car hood. and by isolating her in that way, we re able to drop her on to the other shot. but the devil is in the details, and after viewing the effect, zane and kyle decide