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107 Mothers named the best Slovak film at the Sun in a Net awards

11/04/2022 - Peter Kerekes's feature-length fiction debut and Martin Šulík's The Man with Hare Ears won four accolades, followed by Ivan Ostrochovský's Servants, at the annual Slovak ceremony

Servants director Ivan Ostrochovský revisits communist Czechoslovakia in follow-up drama The Spring

07/02/2022 - The period story from the award-winning Slovak director touches upon the subject of involuntary Roma sterilisations in 1980s Czechoslovakia

Servants director Ivan Ostrochovský revisits communist Czechoslovakia in follow-up drama The Spring

07/02/2022 - The period story from the award-winning Slovak director touches upon the subject of involuntary Roma sterilisations in 1980s Czechoslovakia

Servants director Ivan Ostrochovský revisits communist Czechoslovakia in follow-up drama The Spring

07/02/2022 - The period story from the award-winning Slovak director touches upon the subject of involuntary Roma sterilisations in 1980s Czechoslovakia

Servants director Ivan Ostrochovský revisits communist Czechoslovakia in follow-up drama The Spring

07/02/2022 - The period story from the award-winning Slovak director touches upon the subject of involuntary Roma sterilisations in 1980s Czechoslovakia

I, Olga Hepnarova team shooting follow-up project Nobody Likes Me

I, Olga Hepnarova team shooting follow-up project Nobody Likes Me

11/06/2021 - The writing-directing-producing duo consisting of Tomáš Weinreb and Petr Kazda is shooting a melodrama that ponders existential topics and intersexuality

I, Olga Hepnarova team shooting follow-up project Nobody Likes Me

11/06/2021 - The writing-directing-producing duo consisting of Tomáš Weinreb and Petr Kazda is shooting a melodrama that ponders existential topics and intersexuality

Servants: Church and state collude and collide

An elliptical, chilly and sometimes muddled portrait of 1980s seminary