Nobody, Netflix s Nezha Reborn & 13 new movies you can now watch at home polygon.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from polygon.com Daily Mail and Mail on Sunday newspapers.
Letâs begin by letting South African director Oliver Hermanus deconstruct the title, âMoffie.â
âOur title is a derogatory Afrikaans term for âgayâ,â he said in a press interview. âIt is a South African weapon of shame, used to oppress gay or effeminate men. When you are called this word for the first time, you hide from it. You edit yourself. It is when you first pretend you are someone else. The realization that you are visible is instant. All you know about that word is that it means you are bad. You are rejectable and unacceptable and during Apartheid, just like a black woman or man, you were a crime. And so, you needed to put it away, you needed to cover it up, kill itâthe moffie inside you. This is a film about how white South African men have been made for nearly a century.â
Intensely expressive, achingly sorrowful film The main character of Oliver Hermanus’ shattering “Moffie,” set in 1981 South Africa, is a handsome, white 18-year-old. In the country’s system of apartheid, he is a member of the ruling class, but he’s no insider. Shy, timid and closeted, Nicholas va
Kai Luke Brummer Talks About Ideology Of Superiority And Hate in Moffie lrmonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lrmonline.com Daily Mail and Mail on Sunday newspapers.
Ever since
The Invisible Man, the upper-class wife whose luxury real estate becomes an overbearing metaphor for her isolating marriage seems to have become a go-to set-up for indie filmmakers. Last year we had
Swallow and
The Nest, and this year that plot gets a straight-up genre treatment in
Held. The perennially pained-looking Emma (Jill Awbrey, who also wrote the script) is clearly over her square-jawed husband Henry (Bart Johnson), but they’re giving it one more try by escaping to a secluded, automated smart house vacation rental. Naturally, the property’s version of Alexa has other plans drugging them and forcing them into chivalrous machinations straight out of a 1950s marriage manual. Held doesn’t hold back, skimping on character development, rushing into the concept and mainly using the first act to set things up to pay off later. Basic druggy montages, a visually uninteresting set and an even more uninspired baddie sap