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Museum Without Borders. Art–Design / Dunkerque–Krefeld - Announcements

Exhibition program 2024 - Announcements

The Kunstmuseen Krefeld offer numerous opportunities for surprising, aesthetic experiences in 2024.

The Grand Seduction: Karl Ernst Osthaus and the Beginnings of Consumer Culture - Announcements

The Grand Seduction: Karl Ernst Osthaus and the Beginnings of Consumer Culture // November 24, 2023–April 28, 2024

Sarah Morris: All Systems Fail - Announcements

The solo exhibition All Systems Fail by the internationally renowned American artist Sarah Morris surveys thirty years of her prolific practice.

Top museum award in Germany - Announcements

The Kunstmuseen Krefeld has been named Museum of the Year 2022 by the German section of the International Association of Art Critics.

andrea zittel created five bench sculptures in soft red to gather people at esters garden house

artist andrea zittel created five bench sculptures for esters garden house, the completion of her installations in the space.

Kunstmuseen Krefeld presents 'Lehmbruck - Kolbe - Mies van der Rohe: Artificial Biotopes'

Kunstmuseen Krefeld presents 'Lehmbruck - Kolbe - Mies van der Rohe: Artificial Biotopes' Lehmbruck Kolbe Mies van der Rohe, Kunstmuseen Krefeld, 2021 (exhibition view) Mies van der Rohe, Lange House, 1927 – 1930, Hall. Georg Kolbe, Morning, 1925. Georg Kolbe Museum, Berlin. Wilhelm Lehmbruck, Standing Female Figure, 1910/11. Kunstpalast Düsseldorf – On longterm loan from the Friends of the Kunstpalast © VG Bild-Kunst, Bonn for Mies van der Rohe. Photo: Dirk Rose. KREFELD .- With the exhibition Lehmbruck –Kolbe –Mies van der Rohe: Artificial Biotopes, the Kunstmuseen Krefeld thematizes the interrelationship of these three outstanding protagonists of the modern era and the coexistence of architecture, sculpture, and nature. A total of 15 sculptures by Wilhelm Lehmbruck and Georg Kolbe enter into a dialogue with Haus Lange, designed by Mies van der Rohe as a country house. For the first time, the house and garden are seen as an organic system in which figurative sculpture is integrated both as independent work of arts and as living organisms.