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Year in Review by Katharine Coldiron

Katharine Coldiron Reviews These Lifeless Things by Premee Mohamed

These Lifeless Things by Premee Mohamed tan­talizes with evocative ideas, excellent characteriza­tion, and beautiful language. It is a perfect story to tell in novella form, a snippet of a post-apocalyptic world where humanity has been defeated too many times to make sense of its struggle. Mohamed alternates the book’s narration between tense, hopeless diary entries and commentary by an anthropologist who has discovered the diary in question decades later. This isn’t a plot-driven tale; rather, it’s thematically rich, with layered backstory and worldbuilding which rewards a second read. The two narrators are Emerson, the anthro­pologist, and Eva, the diarist. Emerson lives in a comfortable world not too different from our own (phones, computers, and other technology are mentioned), part of a team of scientists visit­ing a “siege city” on a research trip. Eva lives in a nightmarish combat zone, scavenging supplies from the destroyed city and eating human flesh to surviv

Katharine Coldiron Reviews The Memory Collectors by Kim Neville

T he Memory Collectors relies upon a deeply poetic set of ideas. In it, objects and places give off emotional auras, which can be perceived by people sensitive to these energies. Each of the characters – Evelyn, a fragile young woman; Harriet, a lonely hoarder; Owen, a kind but somewhat mysterious artist; and Noemi, Evelyn’s careless, charismatic younger sister – perceives this sensitivity a little differently, whether as a gift or a curse or something else. The novel hardly has a plot so much as it has a series of emotional turns and revelations, so that the beauty of its ideas can claim most of the reader’s attention. For those who want to invest in a novel more concerned with character and relationships than action,

Katharine Coldiron Reviews The First Sister by Linden A Lewis

I genuinely wanted to like and to root for Linden A. Lewis’s debut, and the inaugural book in a trilogy, The First Sister. As I read, though, the book dissolved more and more of my goodwill, until, by the conclusion, I had very few positive things left to say. Lewis presents a new science fiction universe, but she’s a poor historian of that universe, leaving the reader confused about im­portant aspects of its origin. She invents diverse characters in difficult, conflict-ridden situations, but their personalities are almost blank, their nar­rative voices interchangeable. She creates a twisty, interlocking plot, but its final switchbacks strain credulity. It’s a book that just barely misses the mark at nearly all its levels, and is thus a frustrat­ing experience.

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