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theartsdesk on Vinyl 62: Nick Mulvey, Off The Meds, Black Keys, Kreator, Oneohtrix Point Never, Sam Cooke and more

Home > new music > theartsdesk on Vinyl 62: Nick Mulvey, Off The Meds, Black Keys, Kreator, Oneohtrix Point Never, Sam Cooke and more theartsdesk on Vinyl 62: Nick Mulvey, Off The Meds, Black Keys, Kreator, Oneohtrix Point Never, Sam Cooke and more | reviews, news & interviews theartsdesk on Vinyl 62: Nick Mulvey, Off The Meds, Black Keys, Kreator, Oneohtrix Point Never, Sam Cooke and more theartsdesk on Vinyl 62: Nick Mulvey, Off The Meds, Black Keys, Kreator, Oneohtrix Point Never, Sam Cooke and more The largest, loudest, longest reviews of music on plastic Green for go© Patrick Perkins The top-selling vinyl at independent UK record shops in 2020 was Idles' latest album (closely followed by Yungblud, which is impressive, given his only came out in December!). The Top 10 is dominated by indie, rock and retro but, actually, the bigger picture is that limited runs by music in all styles are selling across the board.

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Paradise Cinema's First LP is Immersive and Dreamlike

Gondwana Records · October 9, 2020 Jack Wyllie, under the moniker Paradise Cinema, released his first full-length album. The eight-track album was recorded in Dakar, Senegal, and offers a taste of the thriving music scene there. Specifically, the album hints at the mbalax dance music of Senegal and Gambia. This genre originated from the sabar music of the Wolof people, but now includes influences from a vast array of other African popular music. In the album’s release notes, Wyllie explains that the mbalax influence is paired with subtle electronic elements that suggest “utopian ideas about [Dakar’s] potential futures.” With Paradise Cinema, Wyllie has created an ambience that reflects traditions of the past alongside a sense of anticipation for the future. He explains that while in Dakar, the music would often be heard all through the night—until about 6 a.m. In his notes he writes, “I could hear this from my bed at night and it all blended together, in what felt like an early version of the record.” 

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